Chapter 4 Mediaeval Music

-------Άρ. Christianity and mediaeval music
-------In mediaeval Europe, the power of church was higher than the state and others social groups.At that time, all ideologies including all kinds of arts and philosophies service church. So mediaeval music had unusual development by dint of Christianity.It was very correlative to Christianity from theory to music book and from chorus and tutti to instrument and teaching of music.Modern symphony and mordern opera mostly depict common customs in content , but they have countless ties with church. That churchy music first adopted the Judaic music such as singing psalm and elocnting Bible was pure vocality. Churchy music always gave priority to vocality because vocality had lyric. Quite the contrary, Musical instrument mainly develpoed by way of mundane music.It was the important character that music was from single tone to multiple tone. Besides, mediaeval music also further developed in theory and finished counterpoint and line music. Meanwhile tronbone and trumpet were very popular,too.

-------Άς.Roman style
-------Roman style came of temporal architectural diction. Roman music is one of the greatest monumental inheritances in history of world art. This kind of music had no chord and obbligato and its character was unison. It uttered solemn chord by echo of patio of church. Its naive and clear religious feeling was exactly the same to architecture of church. Roman music was one of the most important mediaeval music. The first representative was Gregorian Chant which was a kind of typical papistic music and was pure and single tune song. In endless history, Gregorian Chant had made important contribute to music.
------- Άσ. Mediaeval common customs music
------- Mediaeval music gave priority to sacred music and the musical activities were limit to church. Folk music was forbidden, but there were many wandering singers and poets. These artists who were poor and low in social class were critical of shackleing music. They spreaded common customs music abroad by all ways. This kind of music was very closed to folkway. In Revival of Learning, the kind of music replaced sacred music gradually and became the mainstream of musical art.